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Waves Abbey Road Chambers: Reverb Plugin

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Waves Abbey Road Chambers: Reverb Plugin

The unmistakable sonic signature of Abbey Road Studios’ echo chambers was born in the 1950s. This plugin designed in close collaboration with Abbey Road models not just three chambers—but also the tape delays filters speakers mics and signal path that were a crucial part of this sound. If you get goosebumps when you hear your vocals through these reverbs maybe it’s because you’re hearing the same reverb effect that graced John Lennon’s voice on “A Day in the Life.”

Historically Accurate Reverb Sound

Abbey Road’s original reverb sound wasn’t just about the gorgeously lush chamber itself but also the warm analog signal chain through which the natural chamber signal passed. For the first time anywhere all these elements are modeled with historically accurate precision.

Add Life and Space to Tracks

For vocals Abbey Road Chambers adds a rich snappy tone. For synths it breathes life and character. Drums hit with power. Electric guitars evoke a full focused sound. History aside this plugin delivers a stunning chamber reverb sound. The Dry/Web Mix control allows you to blend in the reverb to taste.

Choose Your Chamber: 3 Distinct Choices

Choose the natural reverb sounds of three famous chambers: Abbey Road’s original Studio Two the Studios’ Mirror Room and as a bonus the Stone Room from London’s Olympic Studios—each with its own distinct natural reverb character.

Discover the One-of-a-Kind S.T.E.E.D Effect

Abbey Road’s engineers often sent the chamber’s signal to a feedback loop running from the studio’s console via tape delay via RS106 and RS127 filters to the chamber and back. This unique “S.T.E.E.D.” (Send. Tape. Echo. Echo. Delay.) effect is impossible to create in any other way. Abbey Road Chambers packs it into easy-to-use controls which you can use with the chamber reverb or separately.

Not Only Reverb: An Entire Effects Chain

Audio was rarely run directly into the reverb. Instead EMI’s RS106 and 127 high-pass low-pass and midrange EQs tailored the sound being reverberated. Abbey Road Chambers meticulously models these specialty Abbey Road EQs.

Customize Your Mics and Speakers

Great chamber reverb sounds are also about mic choice and placement. Customize your setup—from original valve Neumann KM53 microphones and lo-fi Altec 605 speaker used on almost every pop recording made at Abbey Road in the ‘60s to modern mic and full range speaker choices.

Features:

  • Models Abbey Road’s reverb chambers and processing chain
  • Includes both Abbey Road’s Studio Two and Mirror Room chambers
  • Features the pre-chamber S.T.E.E.D. tape delay system
  • Dedicated EMI RS106 and RS127 EQs to sculpt the chamber effect
  • Exceptional tonality for vocals and for transient-heavy instruments
  • Bonus: Olympic Studios’ famous Stone Room chamber
  • Choose speakers and mics as well as their room placement
  • Artist presets by Dave Pensado Jacquire King Guy Massey more

Requirements:

Platform CPU RAM Disk Notes Additional Requirement Audio Card Ports Internet Required 32 Bit Support 64 Bit Support Plugins
mac Intel or Silicon Architecture 8 16 Minimum: 1024x768 Recommended: 1280x1024 / 1600x1024 USB displays are not supported as the primary display. 0 0 0
windows X64 compatible Intel or AMD CPU 8 16 Minimum: 1024x768 Recommended: 1280x1024 / 1600x1024 0 0 0
$4,434.00
Waves Abbey Road Chambers: Reverb Plugin
$4,434.00

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Description

The unmistakable sonic signature of Abbey Road Studios’ echo chambers was born in the 1950s. This plugin designed in close collaboration with Abbey Road models not just three chambers—but also the tape delays filters speakers mics and signal path that were a crucial part of this sound. If you get goosebumps when you hear your vocals through these reverbs maybe it’s because you’re hearing the same reverb effect that graced John Lennon’s voice on “A Day in the Life.”

Historically Accurate Reverb Sound

Abbey Road’s original reverb sound wasn’t just about the gorgeously lush chamber itself but also the warm analog signal chain through which the natural chamber signal passed. For the first time anywhere all these elements are modeled with historically accurate precision.

Add Life and Space to Tracks

For vocals Abbey Road Chambers adds a rich snappy tone. For synths it breathes life and character. Drums hit with power. Electric guitars evoke a full focused sound. History aside this plugin delivers a stunning chamber reverb sound. The Dry/Web Mix control allows you to blend in the reverb to taste.

Choose Your Chamber: 3 Distinct Choices

Choose the natural reverb sounds of three famous chambers: Abbey Road’s original Studio Two the Studios’ Mirror Room and as a bonus the Stone Room from London’s Olympic Studios—each with its own distinct natural reverb character.

Discover the One-of-a-Kind S.T.E.E.D Effect

Abbey Road’s engineers often sent the chamber’s signal to a feedback loop running from the studio’s console via tape delay via RS106 and RS127 filters to the chamber and back. This unique “S.T.E.E.D.” (Send. Tape. Echo. Echo. Delay.) effect is impossible to create in any other way. Abbey Road Chambers packs it into easy-to-use controls which you can use with the chamber reverb or separately.

Not Only Reverb: An Entire Effects Chain

Audio was rarely run directly into the reverb. Instead EMI’s RS106 and 127 high-pass low-pass and midrange EQs tailored the sound being reverberated. Abbey Road Chambers meticulously models these specialty Abbey Road EQs.

Customize Your Mics and Speakers

Great chamber reverb sounds are also about mic choice and placement. Customize your setup—from original valve Neumann KM53 microphones and lo-fi Altec 605 speaker used on almost every pop recording made at Abbey Road in the ‘60s to modern mic and full range speaker choices.

Features:

  • Models Abbey Road’s reverb chambers and processing chain
  • Includes both Abbey Road’s Studio Two and Mirror Room chambers
  • Features the pre-chamber S.T.E.E.D. tape delay system
  • Dedicated EMI RS106 and RS127 EQs to sculpt the chamber effect
  • Exceptional tonality for vocals and for transient-heavy instruments
  • Bonus: Olympic Studios’ famous Stone Room chamber
  • Choose speakers and mics as well as their room placement
  • Artist presets by Dave Pensado Jacquire King Guy Massey more

Requirements:

Platform CPU RAM Disk Notes Additional Requirement Audio Card Ports Internet Required 32 Bit Support 64 Bit Support Plugins
mac Intel or Silicon Architecture 8 16 Minimum: 1024x768 Recommended: 1280x1024 / 1600x1024 USB displays are not supported as the primary display. 0 0 0
windows X64 compatible Intel or AMD CPU 8 16 Minimum: 1024x768 Recommended: 1280x1024 / 1600x1024 0 0 0
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